One of the best things about being a DJ is being able to spin an obscure, underplayed song that people used to love years ago, but forgot how much they did since the song is rarely heard anymore. At many events with a more mainstream crowd present – such as weddings or corporate parties – song recognition is key, however, so here a DJ can’t get to crazy with these moments that often. But if a genre remains popular long enough, these crowds, too, like fresh additions to the usual selections.
This is what seems to be happening now to the retro ‘80s music genre. After almost fifteen years of ’80s-themed nights at dance clubs, a decade of “Flashback Lunch”-type programs on major radio stations, and countless CD compilations, we’ve noticed that among many crowds the novelty and charm of one-hit wonders like Soft Cell (“Tainted Love”) or the popular songs of "several-hit wonders" like the Go-Go’s is wearing off. That’s where a fresh batch of retro comes in. Lately we’ve been getting a great reaction on the dancefloor to less-predictable ’80s songs, like “The Promise” by When in Rome (go here for a blog entry on this song), or even the slightly corny “Your Love” by The Outfield. But a song I barely remember from the time it was released not only evokes that great, all-too-elusive “Wow, I haven’t heard this in a long-ass time!” moment, but also has aged well – I guess since so much current indie pop and rock sounds like it was made in 1982.
The song, “What Do All the People Know” by The Monroes, isn’t really recognizable by the name of the band, or even the title. But if you hear the tune, you’ll probably remember it and have a surprised and pleasant reaction like, "Oh, this song! Yeah. Nice!" Released in the early ’80s from the band’s debut EP (way too serious cover pictured), the one-hit wonder Monroes had modest success on the charts with the catchy song. While to new-waver ears back then it probably sounded like a mix of the Cars, Rick Springfield, and even Cheap Trick, to today’s hipster ears it likely and impressively will remind many of indie bands Arcade Fire or MGMT – which should give the tune some props among any self-respecting indie music snob.
Have a listen, and see if you agree that the song features one of the best uses of handclaps in pop music.
One of the best things about being a DJ is being able to spin an obscure, underplayed song that people used to love years ago, but forgot how much they did since the song is rarely heard anymore. At many events with a more mainstream crowd present – such as weddings or corporate parties – song recognition is key, however, so here a DJ can’t get to crazy with these moments that often. But if a genre remains popular long enough, these crowds, too, like fresh additions to the usual selections. 
October 10, 2008
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